‘Baby Driver’ tells the story of a young getaway driver who finds himself taking part in a heist doomed to fail after being coerced into working for a crime boss.
The thing about Edgar Wright is that he’s had such a great track record over the last decade or more with hits such as ‘Shaun of the Dead,’ ‘Hot Fuzz,’ and ‘Scott Pilgrim vs The World’ along with writing credits on ‘Ant-Man.’ Therefore, it’s no surprise that his latest instalment feels a little lacking. There’s so much hype around the film it feels a little ridiculous.
With a film that’s supposedly boasts a ‘killer’ soundtrack and links up to the action sequences, most of which were unrecognisable, it was a little already seen before. Even with an amazing cast, elements such as the dialogue was a little too on the nose, the love story lacked the chemistry that it needed to make it believable, and the characters were a little underdeveloped. The actor’s had barely anything to connect with in there characters as they were stereotypes of what they could’ve been. This could stem from the fact that there were too many character’s at that with too much of an emphasis on a love story that didn’t work. There’s nothing new about the story with the film only freshly entertaining and slick on the surface but if you delve deeper, it felt like it was nothing but a music video stitched together and a by the boxes film.
More often than not, it’s not hard to feel bored or just plain switched off even though it tries so hard to be exciting and compete with many other action/comedy films such as ’21 Jump Street,’ ‘Kick-Ass,’ ‘Kingsman,’ ‘The Nice Guys,’ and Wright’s own ‘Hot Fuzz.’ Although there’s no doubt that the dilm is fun and does prove some entertaining laugh’s, it’s nothing but a shell. With Wright having such a following, it’s disappointing to see an average at best film.
It’s not a bad film, it just feels like it could’ve been so much better. Stick to Wright’s oldie’s but goodies.